Not only in the modes, but also in the tracks, the game always tries to suggest different races, and clearly lives a unique relationship between the road, the music, and the player. This is really impressive considering Underground 2 is set entirely at night almost as if it always wanted to highlight the beauty of neon on the asphalt. It was not so much about doing something illegal but about belonging to a “tuning culture” that reflected a general interest dragged by the hip-hop world of that period think of the incredible version of Riders on the Stormby Snoop Dogg and The Doors.īayview is convoluted, highly developed, and varied.

Underground 2 actually put the players right in the middle of a specific subculture, letting them live with few resources, simple but essential mechanics, a wonderful soundtrack, and a city to explore. More than Need for Speed ever had, and it did not need blacklists, rushes, or complicated plots.

Nostalgia matters a lot, of course, but Need for Speed: Underground 2 had personality. Especially as EA abandoned the supercars to make way for more ordinary cars a Peugeot 206 could be more powerful than a high-alloy competitor. Unlike a normal driving game, the car was not just a means to an end the entire world revolved around finding hidden garages, racing on the streets, and random challenges against AI-controlled enemies.

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